The Spirit and Bride Say Come
Living Waters Album Cover
I did not go to De Colores Weekend #152 expecting to come home with a project.
I went because I needed what those weekends give — the stillness, the community, the uninterrupted time with God away from the ordinary noise of life. And I received all of that. But I also came home carrying something I did not anticipate: a theme that would not leave me alone.
Living Waters.
It was the theme of the weekend. I heard it in the sessions, sang it in the music, sat with it in the quiet moments between. And somewhere in those few days, the phrase embedded itself in a way that felt less like inspiration and more like an assignment. When I got home and opened my Bible, I started asking a question I had never thought to ask before.
Where does water actually appear in Scripture? Not just in the obvious places — not just John 4 and the woman at the well, not just Psalm 23’s still waters. But everywhere. From the beginning to the end.
What I found opened up more than I could process at the time. I’m still trying to process it all
Water is on the first page of the Bible. The Spirit of God hovering over the face of the deep in Genesis 1:2 — before light, before land, before any creature drew breath. And water is on the last page of the Bible. The crystal-clear river flowing from the throne of God and the Lamb in Revelation 22, and the Spirit and the Bride saying Come to everyone who is thirsty.
Between those two moments, water carries everything. It carries the abundance of Eden and the rupture of the Fall. It carries the thirst of the psalms — the deer panting at the dry streambed, David fainting in the wilderness of Judah. It carries the indictment of Jeremiah — God calling Himself the fountain of living waters and naming the tragedy of a people who walked away from the source to dig their own broken cisterns. It carries Isaiah’s eight consecutive water promises pointing toward a Messiah whose name, in Hebrew, is written into the very word for salvation. It carries the temple river of Ezekiel, the purifying fountain of Zechariah, the living water Jesus offers at Jacob’s well, the blood and water that ran from His pierced side at Calvary, and the rivers the Holy Spirit promises to pour from within the heart of everyone who believes.
One thread. Sixty-six books. One source who never stopped flowing.
I spent months in these passages. I traced the Hebrew vocabulary. I followed the canonical connections. I sat with each one long enough to understand not just what it said but what it was doing in the larger story — why it was there, what it was building toward, what it was answering.
And then I made music for each one.
That is how the Living Waters album came to be. Thirty-one tracks, seven movements, one interlude, two hours and forty-two minutes — Genesis to Revelation, in order, each track named in Hebrew and built to inhabit the passage it came from.
I did not write the music first and find Scriptures to fit it. I could not have done it that way even if I had wanted to. The theology had to come first. Every sonic choice — the key, the tempo, the instruments — grew out of what the text was doing. The music for Genesis 1:2 had to feel like stillness before the first word was spoken. The music for Jeremiah 2:13 had to carry the weight of heartbreak. The music for Revelation 22:17 had to feel like an open door.
No lyrics. No percussion. Just sustained strings, harp, and cello, holding the space that prayer and study need.
The full album is on YouTube now — all 31 tracks, in order, free to listen any time.
But I want to give you something more than music.
Because the music was always built on the study, I want to put the study in your hands. The Living Waters Theological Study Guide walks through all thirty-one passages — the Hebrew and Greek vocabulary, the story in the text, how each passage fits the larger water thread, and reflection questions designed not just to inform you but to move you. Each section closes with a Selah prompt to listen and simply receive before you answer.
I wrote it for women who want to go deeper than a surface reading. Women who are willing to sit with a passage long enough for it to do something. Women who have felt the thirst that Psalm 42 names and are ready to trace that thirst all the way to its answer.
Because the answer is there. It has always been there. The thread runs all the way through, and it ends exactly where it should — with the Spirit and the Bride standing beside the eternal river, saying to everyone who is still thirsty:
Come.
The study guide is free for you to download
De Colores #152 gave me a theme on a weekend. God spent the next season showing me that it runs through every book He ever inspired.

